Lovely! I always enjoy your studies, Nathan. I was wondering, when you do the warm underpainting, are you doing so to infuse warmth into your image, or because you perceive the warmth in reality?
I use a water bin, an old listerine bottle to carry water in, masking tape, Winsor and Newton watercolors, white gouache, brushes (mostly Princeton and Robert Simmons white sable Flats), sketchbooks and a small hiking pack they all fit in. The sketchbooks are heavy weight, acid free craft paper made by Canson (can be found as a scrapbook in the photo album section of art and stationary stores, product # 541-2022).
The studies are done small and quickly. Most are less than 3x5" and completed in 40 minutes or less.
My watercolor palette. All Winsor & Newton brand unless otherwise noted: Permanent white designers gouache winsor lemon winsor yellow deep yellow ochre winsor orange winsor red permanent alizarin crimson french ultramarine blue pthalo blue (winsor blue greenshade) pthalo green (winsor green blueshade) permanent sap green Pthalo yellow green (academy brand) venetian red (light red or indian red) raw umber van dyke brown ivory black
9 comments:
Can't get rough enough if you ask me! Great shapes, energy and colours.
Lok
Lovely! I always enjoy your studies, Nathan. I was wondering, when you do the warm underpainting, are you doing so to infuse warmth into your image, or because you perceive the warmth in reality?
Thanks so much for sharing - Your light is incredible!!!
Shane =)
Your art is music to my eyes!
You cast light into darkness,the
colours convey feeling.
Wow!
Beautiful!....always a pleasure stopping by here.
Love the designs on these.
Great colors.
So much out of so little. Increadable
You can't imagine my delight when I clicked on that first image and up came a HUGE version and I could see every brush stroke. Thank you.
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